All posts by American

I live in Shanghai, China. I make video games.

“This Sucks”: When Gatekeepers Police Artists’ Own Lived Experiences

Yesterday I posted a comprehensive response to a YouTube video attacking me and Plushie Dreadfuls. The creator has remained silent. But there’s one part of her video I need to address separately because it cuts deeper than the factual inaccuracies.

She showed our OCD Rabbit design on screen and said: “Does this look representative of OCD to you? Maybe for some people, but I find this… this makes me feel very uncomfortable. To me this looks like an edgy cartoon character of somebody with OCD. This sucks.”

Here’s what she didn’t know – or didn’t care to find out: I designed that rabbit. I have OCD. I’ve had it since I was a kid.

Those red marks? That’s skin picking and obsessive washing – my skin picking and washing. The mask? Contamination fears that have controlled parts of my life. The red eyes? Sleepless nights with intrusive thoughts looping endlessly. The removable brain? A tactile way to externalize the stress and find relief. That “edgy cartoon character” she dismisses? That’s me trying to express something I’ve lived with for decades, something that made me run back to my room as a child to flick a light switch “just one more time.”

I didn’t design this in a vacuum. We used our Crowd Design process – meaning I shared concepts and got feedback from our community, many of whom also have OCD. The product description explicitly states: “While we want to avoid stereotyping, this particular version of OCD rabbit is based on symptoms of this particular Designer and is not a commentary on what OCD looks like for everyone!

But here’s the thing about Crowd Design and listening to your community: when enough people asked for a different representation, we created one. Version 2 of the OCD Rabbit has a completely different look and feel – broken cuffs for fear of losing control, symmetric pattern arrangements, teal awareness ribbon. Same condition, different expression. Both valid. Both created with community input. Both helping people feel seen.

So when someone looks at my artistic expression of my own lived experience and says “this sucks” – what exactly are they accomplishing?

They’re not helping the OCD community. They’re not providing constructive feedback. They’re not even engaging with the fact that this design was community-driven or that we evolved it based on input. They’re just… tearing it down. Policing how I’m “allowed” to represent my own condition. Deciding that their experience of OCD is the “right” one and mine is “edgy” and invalid.

This is the “crabs in a bucket” mentality that harms marginalized communities more than it helps. When one of us tries to create something meaningful, to lift ourselves and others up through representation and art, someone else feels compelled to drag us back down. In a world where artists and marginalized groups face increasing pressures, where authentic representation is harder and harder to create and share, we’re spending our energy attacking each other instead of supporting each other.

I’m autistic. I have OCD. I’ve spent decades learning to cope with intrusive thoughts, compulsions, and fears that most people can’t imagine. When I finally had the platform and skills to create something that represents that experience – something soft and comforting that others with OCD could hold – I poured that into this design. And you know what? Thousands of people with OCD have purchased it. Many have written to tell us it helps them feel less alone.

But apparently it “sucks” because one person decided their aesthetic preferences matter more than everyone else’s lived experiences.

Here’s what I believe: Artists have the right to express their own experiences, especially when those experiences come from marginalized identities. The mental health and disability communities should be lifting up diverse representations, not demanding conformity to one “acceptable” way of looking or being. And content creators who claim to care about these communities should think carefully about whether they’re actually helping – or just farming drama by tearing down the very people they claim to support.

I design from my soul. My team designs from their experiences. Our community participates in that design process. We listen, we evolve, we create multiple versions when people ask. We’re not perfect – we’ve made mistakes and corrected them. But we’re trying to create authentic representation and comfort for people who rarely see themselves reflected in the world.

If your response to that is “this sucks” – maybe ask yourself who that critique really serves.

Artists deserve the right to express their own experiences without fear of being torn down by gatekeepers who’ve decided there’s only one “correct” way to represent a condition. Mental health and disability communities should celebrate diverse representation, not demand conformity.

And content creators who profit from drama while claiming to care about marginalized communities? They should ask themselves: Am I actually helping? Or am I just another crab in the bucket, pulling others down to farm for clout?

To everyone who’s purchased our OCD Rabbits and written to tell us they help you feel less alone: thank you. You’re why we do this work. You’re why we’ll keep creating, keep listening, and keep evolving – no matter how many people say our expressions of our own lives “suck.”

To other artists creating from your lived experiences: Keep going. Your voice matters. Your representation matters. Don’t let anyone police your authentic expression.

Response to “Why I Regret Supporting Plushie Dreadfuls” Video

Point-by-Point Factual Corrections


Summary

This document provides factual corrections to false and misleading statements made in a YouTube video titled “Why I Regret Supporting Plushie Dreadfuls.” The video contains multiple demonstrably false claims, presents information out of context, and omits critical facts that would contradict its narrative.

Most significantly, the video creator contacted our support staff, received detailed factual answers to her questions, promised a follow-up video, but never produced it – leaving her false allegations uncorrected despite having access to the truth.


Table of Contents

  1. Autism Rabbit & ABA Therapy Allegations
  2. Pansexuality “Phase” Discord Controversy
  3. Manufacturing & “Handmade” Labels
  4. Autism Rabbit Design “Infantilizing” Claim
  5. Customer Interaction & Community Management
  6. Donation Transparency
  7. Pattern of Bad Faith

1. Autism Rabbit & ABA Therapy Allegations

THE CLAIM:

“They are raising money for the A.E. Wood Foundation which you can do a little bit of research but they’re not great and support and perform ABA… this little guy is not a friend to autistic people.”

THE FACTS:

What Actually Happened:
– Years ago, we initially partnered with A.E. Wood Foundation based on their claim that they used only “modified/advanced ABA techniques” that avoided problematic traditional ABA methods
– When the autistic community expressed concerns despite our clarifications, we:
Severed ties with A.E. Wood Foundation
Retired the original autism rabbit design
Created a completely new autism rabbit design
Changed donations to Autistic Women & Nonbinary Network (AWN) – https://awnnetwork.org/
Publicly apologized for any harm caused
– This correction happened multiple years ago

Current Reality:
– Current autism rabbit proceeds go to Autistic Women & Nonbinary Network (AWN)
– AWN’s mission: “Disability justice, gender & racial equity, neurodiversity & trans liberation”
– This information is publicly available on our website
– Monthly donation amounts are posted transparently with receipts

Why This Claim is False:
The video presents a years-old, corrected situation as if it’s current practice. We listened to community feedback, made changes, and apologized – years before this video was made. The video completely omits this crucial information.

Evidence:
– Donation records: https://plushiedreadfuls.com/blogs/charitable-donations/charitable-donations
– FAQ addressing this directly: https://plushiedreadfuls.com/blogs/news/common-questions-and-concerns


2. Pansexuality “Phase” Discord Controversy

THE CLAIM:

“Well apparently pan was the phase people went through… people lost interest in being ‘pan’… I call it a phase because it was trending hugely on TikTok…”

The video creator calls this “casual homophobic things” and claims it shows I don’t care about LGBTQ+ customers.

THE FACTS:

What the Conversation Was Actually About:
– This was a public Discord discussion about product redesigns based on inventory/sales
– Someone asked if we’d redesign the pansexual rabbit
– I explained we had ordered 2,000 units of the current design
– Sales had spiked during a TikTok trend about pansexuality (this is verifiable via Google Trends)
– When the TikTok trend cycle moved on, sales normalized
– I was discussing a “phase” of consumer interest/trending, NOT calling pansexuality itself a phase
I immediately clarified this in the same conversation – the clarification is visible in the same screenshots she shares

Critical Context Omitted from Video:
The person I responded to defensively had a documented history of:
– Participating in organized bot attacks costing us $20,000+ in lost marketing spend
– Engaging in coupon fraud costing thousands more
– Daily harassment, scamming, and demanding refunds/discounts
– After publicly trashing the company, they requested to be made a Brand Ambassador with a lifetime discount code to “help promote your brand”

The Discord had been weaponized by a group deliberately damaging the company financially. My defensive reaction was triggered by ongoing fraud and harassment, not by someone politely correcting terminology.

My Personal Background:
– I am pansexual myself (San Francisco LGBTQ+ scene, late 1990s)
– My stepmother is transgender – I witnessed a violent hate attack against her that left her hospitalized for two weeks
– I’ve spent 30+ years advocating for LGBTQ+ communities through my creative work
– Alice: Madness Returns tackled themes of childhood abuse from my own experiences
– Plushie Dreadfuls dedicates entire product lines to LGBTQ+ representation
– Our team includes gay, trans, and queer individuals
– We make monthly donations to Covenant House from LGBTQ+ product sales

Actions Taken:
– I apologized for my tone
– I removed myself from public-facing roles
– The Discord was deleted
– A community manager now handles all official communication
– This incident occurred in August 2023 – over a year ago

Detailed Explanation:
Full context available at: https://www.americanmcgee.com/2025/06/30/plushie-dreadfuls-creator-pansexual-controversy-my-side-of-the-story/

Why This Claim is Misleading:
The video cherry-picks screenshots, ignores my immediate clarification (visible in the same screenshots), omits all context about fraud/harassment, and presents a one-time defensive reaction to scammers as a pattern of homophobic behavior. It also ignores my 30-year track record of LGBTQ+ advocacy and my own identity.


3. Manufacturing & “Handmade” Labels

THE CLAIM:

“Both of my plushies came with labels that said they were handmade… but mine shipped directly from mainland China like if I ordered something off Alibaba… something gives me kind of a red flag there.”

THE FACTS:

Manufacturing Reality:
– I have lived in China since 2004 (over 20 years)
– My wife and children are Chinese – China is my home
– I have successfully operated two businesses in China:
– Spicy Horse (game studio)
– Plushie Dreadfuls (current company)
– Manufacturing is done in reputable Chinese factories with:
Humane labor practices
High-tech equipment (laser CNC machines for precise cutting)
Hand sewing for final assembly (making “handmade” labels accurate)
High-quality materials
Strict quality control
– China has strict labor laws governing manufacturing
– These are the same factories that produce toys for major brands like Disney

Why Labels Are Accurate:
– Products ARE partially handmade – final assembly involves hand sewing
– This is standard practice in the plush toy industry worldwide
– The label accurately reflects the production process

Why This Claim is Problematic:
The video weaponizes xenophobic “made in China = bad” stereotypes while ignoring:
– China is my home and my family is Chinese
– The manufacturing is legitimate, ethical, and high-quality
– Major Western brands use the exact same manufacturing processes
– The insinuation that “shipping from China = Alibaba sweatshop” is both factually wrong and racist

Additional Context:
Our FAQ addresses our production methods transparently: https://plushiedreadfuls.com/blogs/news/common-questions-and-concerns


4. Autism Rabbit Design “Infantilizing” Claim

THE CLAIM:

“Does this rabbit just scream infantile?… my autism itself is not represented by infantile-like things and I am an adult and like adult things… this really to me stands out on their website and it feels quite intentional.”

THE FACTS:

Design Process:
– The current autism rabbit was created through our Crowd Design process
– This means the design was driven by input FROM the autistic community
– The autism rabbit is one of our best-selling products
– This indicates many autistic people actively chose to purchase and love this design
– Autism is a spectrum – no single design can represent all experiences
– All plush toys are inherently cute/soft/comforting by their nature as plush toys

Donations:
– Proceeds go to Autistic Women & Nonbinary Network (AWN)
– This information is clearly stated on the product page

Why This Claim is Problematic:

  1. Gatekeeping: The video creator is essentially saying “I’m autistic and I get to decide this design is offensive” while ignoring that:
    – Other autistic people DESIGNED it
    – Many autistic customers LOVE it
    – It’s one of our best sellers
  2. Hypocrisy: The video creator herself presents with an extremely “cutesy” aesthetic:
    – Pink hair
    – Cat ears
    – Rainbow and heart pixel graphics
    – Very “kawaii” presentation style

Yet she criticizes autistic people who might appreciate similar aesthetics in their comfort items.

  1. Spectrum Erasure: Many autistic adults DO love cute, soft, comforting aesthetics. The video creator dismisses these valid autistic experiences to suit her narrative.

Evidence:
– Product page with community-driven design information
– Best-seller status indicates broad community acceptance
– Crowd Design process documentation


5. Customer Interaction & Community Management

THE CLAIM:

The video portrays me as routinely “combative,” “defensive,” and threatening to ban customers who give feedback. Claims I show a pattern of hostility toward marginalized customers.

THE FACTS:

The Discord Ban Threat:
– This was a one-time reaction to a specific person with a documented history of fraud
– Context explained in Section 2 above
– I did NOT actually ban this person
– They were later banned by moderators for Terms of Service violations (fraud)
– This was NOT about them correcting my language – it was about ongoing financial attacks on the company

My Communication Style:
– I am autistic myself
– My communication style can be direct/blunt
– I have a logic/justice-oriented worldview
– I recognize this can sometimes come across as curt

Actions Taken to Improve:
– I removed myself from public-facing community management
– The Discord no longer exists (deleted)
– We hired a professional community manager
– She handles all official communication in a very sweet and polite way – always
– I try to avoid situations where my autistic communication style might cause problems

Customer Satisfaction Evidence:
TrustPilot rating: 4.9 out of 5 stars (based on 1,190 reviews)
– Rated “Excellent”
– Reviews consistently praise:
– Product quality
– Customer service responsiveness
– Company values and representation
– Fast problem resolution
– Meaningful designs that help people feel seen

Link: https://www.trustpilot.com/review/mysterious.americanmcgee.com

Sample Customer Reviews:
– “This company makes those invisible things that haunt me not feel so haunting anymore.”
– “Amazing quality, and surprisingly fast international shipping.”
– “Customer service is always very helpful.”
– “I love the ethos of the company.”
– “They’re bringing representation and awareness to so many conditions.”

Why This Claim is False:
The video cherry-picks ONE incident from over a year ago, ignores all context about fraud/harassment, and presents it as a pattern of behavior. Our 4.9/5 TrustPilot rating (nearly 1,200 reviews) directly contradicts the claim that we treat customers poorly.


6. Donation Transparency

THE CLAIM:

“They’re very vague about who they donate to in general now, and I wouldn’t trust that some of the money is going to perhaps some foundations that maybe don’t support the people that the plush is about.”

THE FACTS:

Complete Transparency:

  1. Monthly Donation Records Posted Publicly Since November 2022:
    – https://plushiedreadfuls.com/blogs/charitable-donations/charitable-donations
    – Includes exact dollar amounts
    – Includes receipts/proof of donations
    – Updated every month without fail
  2. Detailed FAQ Page:
    – https://plushiedreadfuls.com/blogs/news/common-questions-and-concerns
    – Explains exactly which products generate donations
    – Lists all recipient organizations with links
    – Explains our vetting process
  3. Current Monthly Donation Recipients:
    Autistic Women & Nonbinary Network (AWN) – autism products
    Covenant House – LGBTQ+ products
    NORD (National Organization for Rare Disorders) – rare disease products
    Project Semicolon – mental health products
    Higgy Bears – scoliosis products
    St. Jude Children’s Research Hospital – cancer products
    National Audubon Society – bird-related products
    Hear & Speak – deafness products
    Children’s Tumor Foundation – neurofibromatosis products
    Against All Odds Rabbit Rescue – monthly recurring donation
  4. Product Pages:
    – Each product that generates donations clearly states this on its product page
    – Organization receiving funds is explicitly named
    – Links to organization websites provided

Recent Donation Examples (2025):
– November 2025: $2,639 USD
– October 2025: $1,589 USD
– September 2025: $1,866 USD
– August 2025: $2,546 USD
– July 2025: $1,739 USD
– June 2025: $2,132 USD

Total for 2025 alone: Over $20,000 in documented charitable donations

CRITICAL EVIDENCE OF BAD FAITH:

The video creator emailed our support staff asking about donations. She received detailed, factual answers. She told her audience she would make a follow-up video. She never did.

This means:
– She had access to the facts
– She received clear, documented answers
– She chose not to share this information with her audience
– She left the false “vague donations” claim in her video
This is deliberate misinformation, not an honest mistake

Why This Claim is Demonstrably False:
There is literally nothing vague about our donation practices. We post:
– Exact amounts
– Exact organizations
– Monthly receipts
– Organization links
– Which products generate which donations

The video creator had all this information and chose to suppress it.


7. Pattern of Bad Faith

Summary of Video’s Approach:

  1. Presents corrected, years-old situations as current practice
    – A.E. Wood Foundation issue was corrected years ago
    – Current donations go to AWN (autism-led organization)
    – Video never mentions this correction
  2. Cherry-picks screenshots and omits critical context
    – Shows Discord conversation but omits my immediate clarification
    – Ignores organized fraud/scamming context
    – Presents one-time defensive reaction as pattern of behavior
  3. Deliberately suppresses contradicting evidence
    – Video creator emailed support, got facts, promised follow-up
    – Never made the follow-up video
    – Left false claims uncorrected despite knowing the truth
  4. Ignores readily available public information
    – Monthly donation records with receipts
    – Comprehensive FAQ addressing all concerns
    – 4.9/5 TrustPilot rating from 1,200+ customers
    – 30+ years of LGBTQ+ advocacy work
  5. Uses xenophobic framing
    – “Ships from China” presented as inherently suspicious
    – Ignores that China is my home, my family is Chinese
    – Ignores legitimate, ethical manufacturing practices
  6. Engages in gatekeeping
    – Decides which autistic experiences are “valid”
    – Dismisses community-designed products loved by many autistic people
    – Hypocritically criticizes “infantile” aesthetics while using similar aesthetics herself

Conclusion

This video contains multiple demonstrably false claims, presents years-old corrected situations as current practice, cherry-picks information while omitting critical context, and most damningly, deliberately suppresses facts that contradict its narrative despite the creator having access to those facts.

The video has caused ongoing harm to:
– Our business reputation
– Our team members (many of whom are LGBTQ+ and/or have mental health conditions)
– Our community of customers who find comfort and representation in our products
– The charitable organizations we support through our donations

We have:
– Apologized for past mistakes
– Made corrections based on community feedback
– Maintained complete transparency in our operations
– Removed problematic individuals from public-facing roles
– Continued to support marginalized communities through our work and donations

The pattern of behavior from the video creator suggests this is not good-faith criticism but a targeted smear campaign that weaponizes LGBTQ+ and disability issues to damage our company while suppressing contradictory evidence.


Supporting Documentation

Donation Records:
https://plushiedreadfuls.com/blogs/charitable-donations/charitable-donations

FAQ Addressing All Concerns:
https://plushiedreadfuls.com/blogs/news/common-questions-and-concerns

Detailed Pansexuality Controversy Explanation:
https://www.americanmcgee.com/2025/06/30/plushie-dreadfuls-creator-pansexual-controversy-my-side-of-the-story/

Customer Reviews (4.9/5 from 1,190 reviews):
https://www.trustpilot.com/review/mysterious.americanmcgee.com


Document Prepared By: American McGee / Plushie Dreadfuls Legal Team
Date: January 16, 2026
Purpose: Factual correction of false and misleading claims
Status: All facts verifiable via provided links and public records

Plushie Dreadfuls Creator Pansexual Controversy – My Side of the Story

This isn’t the first time I’ve told my personal story, and it probably won’t be the last, but given the events of the last year or so, I felt it was time to dust it off and share it again. I think I’ve even gained a little more perspective on the events that have shaped me and why I do what I do. 

Once again, it’s time to clear the air.

“Troublemakers” – Why I Use This Phase
After posting my side of the controversy multiple people suggested that my labeling people “troublemakers” was just shifting blame. In the original post I refer to them as such without explaining WHY I’m doing so. In response to one of the comments criticizing my choice of wording – based on lack of understanding for why I use that word – I replied with this explainer:

I’m going to use your comment to make clear something: My threatening to ban that person had nothing to do with them trying to clarify the issue with using the word “phase” in relation to pansexuality (or any sexuality for that matter). Until this whole situation blew up, I had no idea of why that was an issue. In that moment, I barely even registered what that person was saying. Why was that the case? It’s the CONTEXT of the situation that made me angry and made me threaten to ban them. Here’s why:

At that point in time the Discord had been weaponized as a place where members of the community gathered to figure out ways to harm and cheat my company. They orchestrated bot-driven add-to-cart campaigns that cost us 20kUSD in lost marketing spend. They shared details on coupon scamming that cost us thousands more. And the person I was replying to? Had a history of daily nitpicking, pestering, and scamming – including a constant stream of demands related to refunds, discounts, and other grievances – all while being part of the coupon and art to cart scams these people were running.

Imagine for a second that you’re engaged with a group of friendly people talking about a potential redesign for a particular rabbit design. And this person who has already proven themselves to be willing to damage the company financially and otherwise comes and tries to “tsk tsk” you over phrasing. Phrasing that makes perfect sense in the context of the conversation – a trend of interest on TikTok. We were NOT discussing a sexuality. We were discussing marketing trends.

Now, did I actually ban that person? No. I said we were done and asked that we move on.

They were later banned from our Discord by one of our mods for blatant violations of our Terms of Service – going back to the aforementioned crimes and scams I’ve outlined above.

And it is worth nothing that after the Reddit post and after that same person chimed in on that thread telling everyone they should stop buying from us… they wrote to our support staff and asked that they be made a Brand Ambassador and given a lifetime discount code which they would use to “help promote your brand and sell more products.”

Do you know why all the people at the center of this controversy – the people I refer to as “troublemakers” – continue to buy from us? Because they are the ones screaming at everyone else about how terrible we are and admonishing them to BUY 2nd HAND! In other words, they trash the brand while still continuing to buy from us so that they can inflate the value of the 2nd hand products that they sell.

The issues surrounding this group go much deeper than that. But I believe that provides enough context to explain my reaction on that day. You said it yourself – in that interaction I immediately state that Discord is stressing me out. THIS is why. This is the context.

If you still want to defend these people who use LGBT issues as a weapon to lie and scam, be my guest. You basically have to decide whether you’re siding with my 30 year track record of creative output and online interactions vs. the track record of anonymous scammers who used this situation to further their 2nd hand sales efforts.

Regardless of your position on that, ask yourself if it makes sense that over a year later these people are still screaming about this, sending death threats, demanding people buy 2nd hand, and claiming I am anti-LGBT?

As for my not being “in control of a space” – I removed myself as the face of the company, the Discord was deleted, and our social media manager now handles all online interactions. I apologized. I removed myself from these spaces. And I’ve explained over and over… yet here we still are.

No one learns or improves through constant shaming and rehashing of these sorts of issues. Myself and my team would simply like to move on and be done with this chapter. There’s literally nothing else we can do to make this better on our end… and yet, day after day, more lies, more smears, and more threats.

At some point, people need to understand that the reaction to all of this illustrates a much worse pattern of behavior on the part of the people who claim to be offended by any of this than anything myself or my team have ever done.

The Story You (Probably) Already Know

I was born into a world of struggle, the child of rape (something no child should ever know), raised by a single mother in a low-income household. I faced a revolving door of stepfathers, some of whom brought physical, sexual, and psychological abuse into our home. As a kid, I was always “the weird one” at school and in social circles, relentlessly bullied for being different. How was I different? I didn’t know it at the time, but a mix of autism and the trauma that I’d already been through marked me as very othered. 

When I was in high school, my mother married a transgender woman, and I witnessed a vicious hate attack against her that left her hospitalized for two weeks and absolutely shattered my mother, me, and my family. Watching someone I loved endure that kind of bigotry cemented my hatred of prejudice in all forms. Those experiences forged in me an indelible empathy for any marginalized group and fierce anti-bullying stance.


In my teens and early twenties, I explored romantic and sexual relationships with both men and women without shame or hesitation. I simply gave myself permission to love who I loved. Going from the relatively conservative Texas to living in San Francisco in the late 1990s gave me an opportunity to find facets of myself I never could before. From 1996 to 2000, I was immersed in the vibrant house music and LGBTQIA+ scene, spending countless nights at iconic spaces like The Stud and The End Up. So, clearly, my sexual expression during that time was, frankly, pansexual. Having been willing to embrace and experience what and who I did makes the current accusations against me not just patently false but painfully ironic. 

These moments of the joy of living authentically contrasted  with the abuse and marginalization I witnessed and faced myself lit a fire in me to advocate for and uplift others who’ve been sidelined or silenced.

How My Work Supports This

As I think with all artists, my creative work has been a way to both process my own pain and to give voice to others. In my video game Alice: Madness Returns, I wove in themes of childhood sexual and physical abuse, drawing directly from my own experiences of being abused by family members and family friends as a young child.

How many people – thousands or even millions of people – never get the chance or find the channel to share their story? I know I’m not the only one that went through what I did, and it’s comforting and even healing to know you’re not the only one. So, that game wasn’t just art – it was a way to speak to the trauma so many carry in silence. 

With Plushie Dreadfuls, my team and I created entire product lines dedicated to mental health and LGBTQIA+ issues. These plush toys represent everything from anxiety and depression to queer identities like pansexuality, trans pride, and more. We hear from a lot of people that having a material object that represents something they normally can’t see – especially if that object is soft and comforting – is powerful self-acceptance.

Moreover, our entire team is a reflection of all of these identities, conditions, and illnesses: every member lives with physical or mental health challenges, and many are queer – pan, trans, gay, you name it. Our mission from Day One, has been to support organizations that advocate for mental health, physical conditions, LGBTQIA+, and other marginalized groups by donating directly from our sales. These aren’t just products; they’re symbols of resilience and solidarity for people who feel unseen – and their sale directly contributes to causes that make the world a better place.

Every project I’ve touched is a piece of my story, but my story isn’t unique. The abuse I endured as a child, the bullying, the hate I saw directed at my stepmother – these aren’t just memories; they’re the fuel behind my work. I know what it’s like to feel broken, to be targeted for being different, to love in ways that don’t fit into neat boxes. That’s why Alice: Madness Returns tackled trauma head-on, giving players a way to confront those dark realities through art. With that story, we faced the gritty, horrible, dark side of coping with being violated and wronged.

But, healing isn’t just facing the darkness; there has to be something good waiting for us on the other side. With Plushie Dreadfuls, that “something good” is here when you’re still in the dark. We designed each plushie to be a tangible reminder that you’re not alone, whether you’re battling mental illness or embracing your queer identity. My team and I pour our hearts into these products because we’ve lived every one of these struggles. Our mission isn’t just to sell toys or games; it’s to create safe spaces, spark conversations, and fund causes that matter. My values – empathy, defiance against hate, and a refusal to let anyone feel “less than” – are sewn into every stitch.

I am someone who’s been shaped by pain and found my  resilience, and I have dedicated my life to fighting for marginalized communities in as many ways as I can. All of my creative work – from Alice: Madness Returns to Plushie Dreadfuls – has been a love letter to those who feel unseen. 

The smear campaign claiming I’m anti-LGBTQIA+ isn’t just a lie: it’s a cruel distortion that weaponizes the very communities I’ve spent my life supporting. The “evidence” was cherry-picked and framed deliberately to hurt me and the people who find comfort in our products. My online history shows no trace of anti-LGBTQIA+ sentiment – because it doesn’t exist.

This attack has been deeply painful, but not necessarily for the reasons that my detractors might think. 

I don’t know if anyone can ever say that they’ve recovered “all the way” from trauma, especially when experienced in childhood. Every one of us that has been shaped by abuse and/or neglect carry scars that still ache and triggers that take us back to that moment of pain, no matter how long ago it was.

I own that my trigger – the thing that makes me see red and behave irrationally and lash out – is when someone lies about me. Every child who ever tried to tell their “trusted adult” that they were being abused but were brushed off or ignored knows exactly what I’m talking about: lies aren’t just stories people make up, they’re betrayals of trust.

Moving forward, I’m committed to setting the record straight (pun intended), not just for myself but for everyone who relies on our work for representation, hope, and comfort. I’ll keep creating, donating, and advocating, louder than ever. 

To those behind this smear: you don’t get to rewrite my story or silence the communities we uplift. We’re stronger than that.

The History of the Smear

The misrepresentation that I’m referring to originated on August 2, 2023, within the Plushie Dreadfuls Discord community, a space intended for fans to connect and contribute to our Crowd Design process. It began during a discussion about potential redesigns, which I explained depended on sales and stock levels. When someone asked about a redesign for our Pansexual Rabbit design, I mentioned that interest in buying pansexuality-themed rabbits had been a phase, referring to a market trend driven by TikTok that Google Trends data supported. Within the same conversation, a troublemaker called out my use of the word “phase” as offensive. I immediately clarified that I meant a phase of interest, not identity, and the exchange ended in  a few minutes. 

This is the context, that the whole conversation was about online marketing trends, ignored, twisting my initial statement it into a claim that I was dismissing pansexuality itself.

The Discord troublemakers posted screenshots from the August 2, 2023, Discord conversation around a month later under the headline “Plushie Dreadfuls Creator Calls Pansexuality a Phase.” This click-bait-worthy headline created a falsified scenario all on its own by ignoring my immediate clarification in the same screenshots that I mentioned a TikTok interest phase specifically. Even though the screenshots were shared in a gallery, most people didn’t look beyond the first image or even the title and reacted only to the false claim. 

The Reddit post amplified the disingenuous “callout” on the Discord server, and from there the narrative spread to other social media platforms, evolving into broader accusations of even more (unsubstantiated) prejudice.

Why didn’t I just come out as pansexual myself at the time as a response to the allegations?

There are a few reasons. The first is that I never “advertised” my sexuality prior to this point, so “suddenly” claiming that I’m pan, too, would’ve seemed feigned or shifty. I’ve never denied it or tried to hide it, but it hasn’t been a topic of conversation in a long time for me. Every person deserves the dignity of sharing their personal lives on their own terms.

The second is that my life is very different now from what it was in the late 1990s. I’m married in a heterosexual relationship and have two children, and while that doesn’t negate or erase my personal identity as a pansexual, it would have invited additional scrutiny and harassment that my family doesn’t deserve. After all, if people have been cruel enough to spread hurtful lies about me and about my community and company, there would be no guarantee for the safety or security of my loved ones.

Back to the posts: I honestly never thought that a conversation of just a few minutes – one that I thought was resolved – would be weaponized like this. Referring back to owning my reactions, my response was consistently to address the accusations with facts, pointing out my clarifications, but once this group of people decided I was a horrible person, there seemed to be nothing I could say that would change their minds. Even when members of our community – people who have been supportive of the company and of our causes – came to our defense with more logic and solid evidence, it didn’t matter and the lie was perpetuated.

In my triggered state, I said some things that weren’t kind, and I own that. It showed me that I still had work I needed to do for myself, so I issued an honest and heartfelt apology and retreated as much as I could from representing Plushie Dreadfuls. My highest priority is protecting my community, and I felt that my presence was just making things worse. So, I turned all of my social media accounts to Private and hoped that staying quiet and letting my last apology speak for me would de-escalate the situation after a short time.

Unfortunately, that didn’t work. 

In fact, it seems that the attacks on my name, my reputation, and my brand have continued and even been perpetuated to the point where we’ve had to take a closer look at just what’s been motivating this menacing discourse.

The Impact Thus Far

That first post that started the controversy was in the /r/plushies subReddit, a place that is intended to be a safe space for people of all ages to share their enthusiasm for stuffed animals. Additional threads in that subreddit have escalated the narrative, shifting from me calling pansexuality a phase to outright claims of my being “anti-LGBT,” and this escalation has occurred with zero moderation from the people who are supposed to oversee the /r/plushies community – people who are allegedly charged with safeguarding the information posted to their board as true and verifiable. 

However, this lack of action appears to perhaps be part of a coordinated effort, with the moderators’ approval – or even being directly complicit. A recent post by the main moderator of that subreddit outright states that they wish another company would replace us in the space of creating plushies for the LGBT and mental health community. The bias is obvious and casts a great deal of suspicion on them as part of an ongoing and grueling attack on everything I’ve built and worked to protect.

The damage goes well beyond affecting me personally. The ongoing attacks have created constant stress and anxiety for our entire team, many of whom have the  very same mental health issues and are part of the LGBT communities we seek to represent – communities these attackers claim to protect. Seeing LGBT individuals attacked for sharing joy in our designs, a refuge we built for them, is heartbreaking.

Personally, I’ve felt incredibly depressed and demotivated, my creative energies sapped by the relentless shaming. Professionally, the impact on Plushie Dreadfuls has been significant.  The stress has undermined our team’s well-being and my confidence in my ability to lead, though we’ve seen sales resilience, which offers a glimmer of hope amidst the darkness.

In fact, it points to a pattern that suggests that this isn’t just a few people with a personal grudge. 

There are frequent, obviously astroturfed posts on /r/plushies where people prompt others to rehash the slander, evolving the narrative into darker, more hateful claims, calling me an “asshole” or “terrible human.” These posts often dredge up past company missteps, stripped of context, to harm our reputation. 

Recently, we’ve uncovered connections to individuals with financial interests, including those in the second-hand sales of our plushes, who buy directly from us to resell while discouraging direct purchases. Competing plushie companies, using sock puppet accounts, also fuel these “question and reply” threads, repeating our alleged transgressions endlessly to push us out of the LGBT and mental health plushie space.

A Vision for Justice and Community

We’ve tried the “turn the other cheek” strategy, avoiding direct engagement to let the drama die down, but the attacks have only grown more terrible. This approach failed because  those profiting financially and posing as “haters” have controlled the narrative. The advent of AI-generated summaries have allowed the lies to infiltrate info spaces on Reddit and Google, appearing in brand searches, which is itself alarming, but what’s worse is that when we reached out to these platforms in an attempt to resolve the issues, they have proven to be totally unhelpful. The challenge is immense, as misinformation outpaces our clarifications, and the lack of moderation, especially on /r/plushies, allows the hate to fester. 

Near this one-year anniversary, I’ve decided to speak out, as the constant shaming doesn’t lead to learning but instead mirrors the hate against marginalized groups. This affects not just me, my team, and our community, but everyone seeking refuge in our designs, and I feel it’s time to fight back.

The smear campaign against me and Plushie Dreadfuls has been fueled by competitors and second-hand profiteers, leaving my team and community in pain. Yet, my commitment to the LGBT and mental health causes we represent remains unshaken – and, if anything, has strengthened my resolve to fight and protect my communities even harder. 

We are launching legal action, mobilizing on social media, and pursuing every avenue to end this insidious onslaught. I ask you to see the truth behind the hate and the harm it inflicts on those we serve. Join us in this fight. Share your support, challenge the misinformation, and help us build a future where creativity thrives free from malice. 

Together, we can turn the tide and restore justice.

Note: After I originally posted this, I’ve had a few people write to question why I label these people “troublemakers” – which is a fair question since no context for this label is provided in the original post. As such, I’ve used one such comment/question to provide more detail into the events leading up to the Discord interaction. You can read that HERE.

Post Patreon FAQ V2

Dear Insane Children, 

FontLord here again with some more info and some more answers.

The $1 Hibernation Tier is now active.
If you are interested in still accessing the Discord and/or sending messages to this Patreon page, please move over to this tier.
This will be the one and only tier in the not too distant future.

I am not 100% sure what will happen when I start deleting tiers that people are still pledged at if you do not move.  I don’t assume you’ll be booted from our Patreon, but it’s more likely that you will remain at ‘no tier’ while still paying us the last amount you were pledged at which would just be silly and unnecessary.
Please move as soon as you are able!!

Regarding the 3x$35 tier.
If you believe you are part way into completing your 3, and we killed the tiers before you could complete the 3, please send us a message.  We will likely just have to allow you to do a PayPal transfer to complete it.
Seems the most obvious way to do things.   I have no idea how many of you will write in about this, so it might take a while doing these manually.  Please bear with me…

And now more answers from American…

1) What can we do to support American right now? He has to be going through a lot, as all of you are!

I am OK. Just taking a break from the world right now. And I appreciate the concern and the offer to help. But I’ve been mentally preparing for this moment for a long time. Because I’ve known for a very long time that “Alice” isn’t mine. As attached as I am to the property, I’ve learned to keep my distance emotionally.

The timing of all this happens to coincide with China reopening after 3 years of Covid lockdowns. During that time, we were unable to travel outside. And so the first thing I did once the borders opened was travel outside. I am now sailing with friends up the eastern coast of Australia. As many of you are aware, I love sailing and use my time at sea to recharge my batteries and refresh my mind. I am where I should be right now.

You can also follow all our socials and of course, buying something from Mysterious is always appreciated.
https://www.instagram.com/americanmcgee/
https://twitter.com/americanmcgee
https://mysterious.americanmcgee.com/

2) I would love to listen to a podcast from American. + keep streaming/lets plays? Twitch channel is still very Alice themed at the mo.

It’s too early for me to decide on something like this. There are parts of me that really just want distance from the online world in general. But let’s wait and see how things look once I return to land.

3) Is there any possibility of an Alice plushie getting made?

The most I can get away with at this point is art prints which I autograph. The reason is that autographed prints are sold for the autograph and not really for the art print itself. There’s a long tradition of Hollywood and the games industry allowing actors, writers, and others to engage in this sort of thing. So, I’ll sell autographed art prints… at least until someone (EA) tells me to stop.

4) I would love it if the Patreon page converted over into something that revolves around supporting Mysterious and any future creative endeavors the team might pursue.

If we do continue any sort of crowdfunding for any other projects (or Mysterious stuff) it will be via a fresh page and perhaps a different platform. And it would certainly take place after some period of cooling down from the current situation. The primary reason is that I don’t want to feed the trolls who scream at me constantly about Patreon, Alice, and related funding topics. Ideally, we do not need to engage in any sort of Crowd Funding in the future.

But if you want to support Mysterious (thank you!) you can do that simply by engaging in our Crowd Design process (via social media) and by purchasing items from the shop. Super simple!

5) Are you guys still working on Oz?

It’s “wait and see” at the moment. See the above answers about taking a break and also about creating some distance between the current situation and any future projects.

6) Maybe a stupid question but is the team happy for us to continue our art and our cosplays of the game? I just would love to see the creativity continue

You are absolutely fine to keep cosplaying Alice and using the hashtags americanmcgeesalice and similar.

7) If someone wanted to print the Bible themselves at home for personal use, is that something that you’d be okay with? 

The Design Bible and Alice stuff in general is owned by EA. If you print it for personal use (not to sell) then no one is bothered.

8) I assume anything from now on in the Alice/American series is solely fan-based creations from now on? What if we wrote a book about the story to finish it?

You are free to write any Alice fanfic you wish.

I’d really love it if people could stop asking me questions about “Alice” in general. The rights are very simple – EA owns Alice and they control it. If you want to do something with the IP, you are free to do that – just like you are with all other IPs – but you get into trouble when you start trying to sell the stuff you create. Additional questions on this stuff should be directed at EA. I really want some space from “Alice” and questions related to it.  

And a final note from American…
I just want to restate that I understand how difficult this is for many of you. I am feeling the same pain and anger as many of you. And I understand that in situations like these, we often ask ourselves “what can we do” or “what could we have done differently” in order to change the outcome. It’s tough to admit right now but ultimately, we’re going to need to accept that this decision and the situation, in general, is out of our control. We are not “giving up” any more than a person who is hit by a bus is “giving up.” We did everything we could as a team and a group of fans to convince EA to let this next chapter happen. EA decided to kill the project and the possibility of any future for Alice. That decision is on them. But we can make a decision of our own – and it’s a strong decision to make – to move on. That is what we do have in our power. And it’s often one of the most difficult decisions to be made in situations like this. But it’s what we must do. So, I would ask that you join me in moving on. If you decide to stay back and continue fighting… that’s fine. That is your decision to make. I respect that. And I ask that you also respect my decision to move on. Thank you.

So what’s next? And the Answers to your questions..

Hi Everyone,

FontLord here.
Just wanted to also give a huge amount of love and hugs to everyone that joined us on this journey.  
Not the result we wanted but boy did we have fun, made some great friends, saw some amazing art and nailed down one hell of a story   🙂  

But some of you have written in asking about “Patreon Things” so he is a basic run down of some of that and also a little bit of a FAQ, and of course should you still have some unanswered questions after finishing this post, pop them in the comments below and we’ll do a FAQ V2

So here we go, yes, if you have currently paid for a tier ($35 or $75), you WILL still get the print/plushie associated with that tier.
Plushies and art prints are still going out (even those who have unanswered Backerkit emails for the 3x$35 tier can still fill them in and choose prints)
We will be fulfilling all that going forwards, but as you know, the prints need to be signed, and American is currently away, so there’s a bit of a delay on them being shipped.

The final Patreon print (March Patrons charged in April) is the one at the top of this post.  Titled “Cannot Help”

But will we be doing more prints going forwards?
Obviously not on Patreon, but we do have quite the backlog of fantastic art we didn’t get around to doing on Patreon, so some of those WILL be going up on sale over on Mysterious in the future.  
Not sure of the timescale or which prints, but keep checking on the Mysterious Art Page for those.

——

THIS BIT IS IMPORTANT !!!

Another question is about Discord access.
We do want to keep the amazing community over on Discord going so we need to keep 1 tier alive here on Patreon. However due to some reason (a bug I have currently emailed Patreon about) we have no ability to edit/change/modify/create new Patreon/Discord tiers.
The only workaround I can currently think of is for everyone to drop to the $5 tier, that’s the current lowest tier that still has Discord access.
Then in the future, when the bug is fixed, we can edit that to $1 or create a brand new $1 tier and bump you all over to that.
So to summarize, if you still would like Discord access PLEASE CHANGE YOUR TIER TO THE $5 TIER NOW.
I will be deleting all other tiers towards the end of the week.

I hope this goes smoothly as we have currently ‘hibernated’ the Alice: Asylum page to prevent any more money being taken from you.  Shout out in the comments if you are somehow having trouble changing tiers on a hibernated Patreon page.
I expect this transition to be somewhat messy and not work exactly as planned, so please bear with us…

——

And now some quick fire Q&A from American…

1) “Why not just buy the Alice license from EA?”

Because you cannot force someone to sell something they do not want to sell. EA has said “no” to any and all offers to purchase, license, or work with the “Alice” IP (intellectual property) – and as the legal owners of the property, it is their right to decide what to do with it.

2) “Why did you sell Alice to EA in the first place?”

American did not “sell” Alice to EA. EA owned it automatically from the start. American created the first “Alice” game while he was an employee of EA. As is the case with almost all such work situations, any creations or inventions made while employed by a company end up the property of that company automatically.

3) “Just create a different style of game based on Alice In Wonderland since it is public domain”

American signed an agreement with EA to never develop any new game or property based on “Alice in Wonderland” and he signed over his name in association with the version that he created while at EA. That means he’s legally barred from doing anything related to “Alice in Wonderland” outside the realm of the property he created at EA.

4) “Go find another publisher” or “just Kickstart it” and similar suggestions

This does not solve the problem and just takes the questions back the #1 – it’s EA’s property and they do not desire to see it developed, licensed, funded by others, etc.

5) Is there anything we can do?

No. We’ve done everything we can to present a vision for a new game (story and design) and plan for development. EA has reviewed what we produced and decided it’s not interested in funding or allowing others to fund more Alice development. The best thing to do now is to leave it alone. That is what American plans to do.

6) What about re-releases, updates, and other platforms for the existing games?

All questions related to the existing games should be directed at EA. American has no control over these decisions.

7) Will we continue to make plushies and other things over on Mysterious?

Yes, Mysterious will continue.

8) Will you be making a hard copy of the Design Bible?

We can’t do this because we don’t have a license for it and the people who control that aspect of the Alice stuff (print) won’t even reply to our emails. 

9) What about the Alice TV show?

To the best of our knowledge, work is still happening to get a TV show made, but we’re not involved in that work and don’t wish to be. 

And there you have it.
I hope that has answered a lot of what you were all wondering?
Again, drop us a comment below if you need to ask more.
But also, do you have any ideas about what we can do going forwards to keep our community together and potentially work on other ideas?  Again, sound off in the comments, no wrong answers   🙂

Following on from all the links to the artists that American posted in the ‘bad news post’, I don’t really do a huge amount of online social stuff, I’m old and grumpy like that.  But I do still have an Instagram I post to now and then if I see something good, so why not pop over and follow?   ?
https://www.instagram.com/f0ntl0rd/
And I can also always be found doing our online support for Mysterious too!

Once again, big ole hugs from me and I’ll see you around   ?

End of the Adventure

Dear Insane Children,

Over the past few years, your support has made possible a constant stream of creative output by a team of artists, writers, designers, modelers, and producers. That output resulted in the “Alice: Asylum” Design Bible – a 414pg PDF containing the complete vision for a 3rd Chapter in Alice’s video game adventures.

Shortly after the completion of the Design Bible, I resumed talks with Electronic Arts regarding our efforts to get a new game made. They were presented with the Design Bible and a Production Plan (produced in collaboration with Virtuos Games) outlining the schedule, budget, team, and design for the new game’s production.

After several weeks of review, EA has come back with a response regarding funding and/or licensing for “Alice: Asylum”

On the question of funding, they have ultimately decided to pass on the project based on an internal analysis of the IP, market conditions, and details of the production proposal. On the question of licensing, they replied that “Alice” is an important part of EA’s overall game catalog, and selling or licensing it isn’t something they’re prepared to do right now.

At this point, we have exhausted every option for getting a new “Alice” game made. With those answers from EA, there is no other way forward with the project. As such, we will be hibernating this Patreon page and related pre-production activities. The content will remain in place but we’ll no longer present options for funding “Alice: Asylum” efforts via this (or any other) platform.

“Alice: Asylum” is at an end.

As this announcement is certain to draw significant attention, I would like to focus some visibility on the amazing artists and designers who were funded through Patreon during this project:

Alex Crowley – Project Manager & Designer

https://www.instagram.com/alexceeart/

Omri Koresh – Illustrator & Art Director

https://www.instagram.com/omrikoreshart/

https://shop.omrikoresh.com/

Norm Felchle – Illustrator

https://www.instagram.com/ndfelchle/

Joey Zeng – Illustrator

https://www.artstation.com/joey_1999

https://www.instagram.com/joeyzeng_1999

Adam Narozanski – Illustrator

https://www.instagram.com/vitaj_art/

Gareth Keenan – Illustrator

https://www.instagram.com/garethkeenanart/

For my part, I have also reached an endpoint with “Alice” and with game production in general. I have no other ideas or energy left to apply toward getting a new Alice game made. Nor do I have any interest in pursuing new game ideas within the context of the current environment for game development.

This brings us full circle to the statement I made years ago which initiated EA reaching out to me to ask if I wanted to explore making a new Alice game…

I have no control over the Alice IP and no ability to make a new game happen. That control and ability rest entirely with EA.

If someone does manage to convince EA to make “Asylum,” I would like to make clear that, from this point forward, I have no desire to be involved with that or any other Alice-related development.

My involvement with “Alice” is also at an end.

Going forward, I will focus on my family and our family business at Mysterious.

Lastly, I want to extend a bittersweet Thank You to our Insane Children (Patreon supporters). I know this is not the outcome we hoped for. And I feel a mix of emotions that leaves me sick at the idea of all the money, hope, ideas, and love you’ve poured into this effort over the years. 

We knew going into this adventure that failure was a possibility. But we wanted to believe impossible things – and we had fun doing that up to the moment when reality forced itself into our Wonderland.

It’s often said that when one door closes, another opens. Trite but true. And I hope that for all of you, this closure will bring life to other adventures and dreams.

-American McGee

April 8th, 2023

Queensland, Australia